2020
‘A Narrative Review of Bilingual Aphasia Research’, (text) written for
Darcey Bella Arnold's solo exhibition at ReadingRoom, upcoming in 2020
(postponed due to COVID-19).
2018
LOA, postgraduate study, Melbourne School of Psychological Sciences,
University of Melbourne.
‘Ghost Pizzeria’, (online project) Island Island (Curated by David Attwood),
Bus Projects, Melbourne.
2017
‘Ghost Pizzeria’, (performance)
Australian Archaeological Institute at Athens, Athens, Greece.
Ιktinou residency (Athens) – ODC Ensemble
‘Bundoora Homestead Art Prize’, (group presentation),
Bundoora Homestead Art Centre, Melbourne.
2016
Ian Potter Cultural Trust (grant) — The Ian Potter Foundation
‘Esq’, (poster) Meyers Place Art Wall, Meyers Place Bar, Melbourne.
‘Honesty’, (book), printed by Dawn Press for exhibition ‘Honesty’, TCB art inc. (ISBN: 978-0-646-96638-0)
'Untitled (Séance)' (Deborah Malone, trance medium), (performance)
TCB art inc., Melbourne.
‘Honesty’, (solo presentation) TCB art inc, Melbourne.
Producer for Thomas Kong's solo presentation 'TCB' at TCB art inc.
Assistant Producer for Emerging Curators Program and Discursive Projects,
Next Wave Festival 2016.
‘Incinerator Art Award’, (group presentation) Incinerator Gallery, Melbourne.
‘Red Pill’ (Curated by Dale Buckley), (group presentation) Success, Fremantle.
2015
Creative Fellowship (Melbourne) – State Library of Victoria
‘HK PC’, (essay) Buffet Publication, first edition. (ISBN: 978-0-9943052-0-6)
‘Milk & Cookies’ (Curated by Eric Demetriou), (performance)
Conduit Arts, Melbourne.
‘Light the blue touchpaper and retire’, (group presentation) Gallery at the
Bayside Arts and Cultural Centre, Melbourne.
‘Home and Away’, (group presentation) Twenty Thirty Seven, Sydney.
‘The Grin Without a Cat’ (with HomeShop), (group presentation)
Pace Gallery, Beijing, China.
2014
'Libertas', (performance) ‘COMPLIMENTA (III)’ (Curated by Clara Chapin Hess), The Manse, Enfield, NY, United States.
‘COMPLIMENTA (III)’ (Curated by Clara Chapin Hess), (group presentation)
The Manse, Enfield, NY, United States.
Producer for Hao Guo's solo presentation 'Dreamless' at TCB art inc.
‘Social Sensibility’ (Curated by Alessandro Rolandi), (group presentation)
OCAT, Xi’an, Shaanxi, China.
‘Bike Shed’ (with Tianji Zhou), (performance) interviews, reportage,
and factory refurbishments, Bernard Controls, Beijing, China.
Social Sensibility R & D Residency (Beijing, China) – Bernard Controls
‘Dear Masatto, all at once’ (Organised by Lisa Radford), (group presentation) Margaret Lawrence Gallery, Melbourne.
New Work - Early Career (grant) – Australia Council for the Arts
Jump Mentoring (grant) – Australia Council for the Arts
2013
‘Ménage à trois’ (co-designed with Simon McGlinn), (catalogue) TCB art inc, Melbourne; Enjoy, Wellington; and XYZ Collective, Tokyo.
(ISBN: 978-0-9804449-3-3)
‘Untitled’ (with Nic Tammens), (solo presentation) Institute for Provocation,
Beijing, China.
‘Peace Badges’ (with Normal Gallery), (performance) self-organised gift giving campaign, various locations, Pyongyang, North Korea.
‘Australian Statues’ (with Normal Gallery), (performance) self-organised sales tour of Chinese streets and marketplaces, China.
‘True and False’ (with Normal Gallery and HomeShop), (performance)
Beijing Farmers Market, Beijing, China.
‘Australian Statues’ (with Normal Gallery), (advertisement) Un Magazine,
issue 7.1, p. 4. (ISSN: 1449-6747)
‘MF’, (artist talk) West Space, Melbourne.
‘MF’, (solo presentation) West Space, Melbourne.
‘The Substation Contemporary Art Prize’ (group presentation),
The Substation, Melbourne.
Keith & Elisabeth Murdoch Travelling Fellowship (award) – University of Melbourne
‘Keith & Elisabeth Murdoch Travelling Fellowship’ (group presentation),
Margaret Lawrence Gallery, Melbourne.
‘Faux Pas’ (Curated by Ryan Renshaw), (group presentation)
Ryan Renshaw Gallery, Brisbane.
2012
‘Swing lo!’, (solo presentation) Inflight Gallery, Hobart.
‘Untitled’, (catalogue) self-published for exhibition ‘Swing lo!’
at Inflight Gallery (Hobart)
‘Untitled’, (catalogue) published by Container Corps for exhibition Fury Road’, Appendix Art Space (Portland, OR, United States)
‘Fury Road’ (Organised by Nic Tammens and Matthew Greaves),
(group presentation) Appendix Art Space, Portland, OR, United States.
‘Untitled’, (essay) published by Boxcopy (Brisbane) for Greatest Hits’ exhibition ‘International Waters: Sleep Hygiene’
Beijing Residency Prize – Australia China Art Foundation
‘Where the birds always sing...’ (Curated by Theodore Wohng), (group presentation) Ausin Tung Gallery, Melbourne.
Participated in the performance of ‘A slideshow by…’, a work by artist Elly Clarke, Victorian College of the Arts, Melbourne.
ArtStart (grant) – Australia Council for the Arts
2011
‘std’ (with Rohan Schwartz), (solo presentation) Bus Projects, Melbourne.
‘ipso oops’, (solo presentation) TCB art inc, Melbourne.
‘fewg state’ (with Christopher Dolman), (performance)
Roller-door Performance Space, Melbourne.
Committee Member, TCB art inc, Melbourne. (2011 - 2015)
‘Transits 1: the Visual Artists’ Non-Orchestra’ (Curated by Nic Tammens), (performance) Bus Projects at ACCA Forecourt, Melbourne.
‘Stonehenge’ (Curated by Oscar Perry), (group presentation) Rear View, Melbourne.
‘Consultancy’, (group presentation) NGV Studio,
National Gallery of Victoria, Melbourne.
2010
‘der’, (solo presentation) Seventh Gallery (Project Space), Melbourne.
‘Or’ (Curated by Laura Castagnini), (solo presentation)
Platform Artists Group, Melbourne.
‘Busy, busy’ (Curated by Ace Wagstaff), (group presentation)
TCB art inc, Melbourne.
‘Wallara Travelling Scholarship’ (group presentation),
Margaret Lawrence Gallery, Melbourne.
‘Before and After the Mud’, (group presentation) VCA Gallery,
Victorian College of the Arts, Melbourne.
2009
Bachelor of Fine Art (degree), University of Melbourne,
Faculty of the Victorian College of the Arts.
‘an and’, (solo presentation) George Paton Gallery, Melbourne.
The Maude Glover Award – University of Melbourne
The John Vickery Scholarship – University of Melbourne
Bibliotheca electus:
Zandie Brockett with Alessandro Rolandi, ‘A Lexicon for Open Fields of Exchange: On the Language and Dynamics of Researching Towards a Social Sensibility’,
Oxford Artistic and Practice Based Research Platform (online), Issue 1, 2017
Zheng Bo, ‘Discovering Socially Engaged Art in Contemporary China’,
City University of Hong Kong, 2017
Dr Darren Jorgensen, ‘Red Pill and the Success of anti-post-internet art’,
Art + Australia (online), 2016
Jane Hakanson, ‘Review: Success 2’, Pelican Magazine,
University of Western Australia, 15 June 2016
Edward Sanderson, ‘Interventionist Curatorial and Display Practices in Beijing’, Journal of Curatorial Studies, Volume 4, p. 142, 1 February 2015
Claire Anna Watson, ‘Singed beards and burnt down buildings’, catalogue essay, Gallery at the Bayside Arts and Cultural Centre, August 2015
Appendix, Amy Bernstein, and Kevin Champoux, ‘Appendix Book’, pp. 59-61, published by Container Corps, December 2013
Dylan Rainforth, ‘Normal Gallery in China’, Art Guide Australia, July 2013
Georgina Criddle, ‘MF’ Un Magazine, issue 7.1, pp. 114-117, July 2013
Dan Rule, ‘In the Galleries’, The Age Life & Style Magazine, p. 5, June 30 2012
Penny Modra, ‘ipso oops’, The Age M Magazine, June 19, 2011
Andrew Shaw, ‘Unmethodical Experiments’, MCV, June 1, 2011
Viona Fung, ‘an and’, Eyeball (University of Melbourne), August 2009